Designing better ways for institutions
to listen, decide and act.
Programme Strategy · Digital Transformation · Information Environments
15+ years across UNICEF, OCHA, UNESCO and community-development programmes.
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One career, connected through ideas, places and time.
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A non-exhaustive account of an exhausting journey…
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Hello.
I’m Emanuele.
I was born in Gela, Sicily.
Here’s how I got here. -
Gela. Sicily. Just landed. No briefing. No user manual. -
Island life. Beaches, food, ancient history—and a mafia war. Some places shape you before you know it. -
I write funny poems for bored children. The audience is small, but highly demanding. -
My first act in on the world stage. Literrally. -
Dad's computer. Olivetti. No Windows. No mouse. No friendly folders. C:\> dir— apparently, you have to ask nicely. -
High school. Foreign Languages, Technologies, School trips, and an amazing squad.Loved every bit. -
Rocking the teen age. Friends, bands, nintendos. Making history. -
I start making films. Reality clearly needs editing. -
My mother sends me to buy bread with a new coin. We’re in Europe now, whatever that means. -
Family got big. A lot bigger. -
I leave the island for Rome to study film at Sapienza. Nobody understands why. Neither do I. I discover the real carbonara, urban life and Bill Viola. -
Rome. I start working in the film industry. The credits get longer. So do the days. -
Paris. Erasmus. Island's boy discovers the world in one city. -
Vienna. Human rights work finds me,a lmost by accident. It turns out a digital artist can be useful beyond the arts. -
I earn an MA in Theatre, Cinema and Digital Arts. Qualified, happy and still unsure what to call myself. -
Cambodia. Art can help communities tell difficult stories. I learn to feel sad for a past I never lived. -
Vietnam, Thailand, Albania, Kosovo, Romania, Turkey, Croatia, London... I travel and work with multimedia projects, getting lost often enough to learn from it. -
Working and living in Nepal. Unlearning everything to learn it again. -
Los Angeles, UCLA. I get one chance to show how the pieces might fit together. -
I work in countries affected by conflict. Film, digital tools and anthropology become ways to help communities shape their own recovery. Somalia, South Sudan, Yemen... -
.. but Ethiopia is my new home, and Africa is the ocean to explore. -
Back to Paris, to join UNESCO. I take the oath and suit up. -
Nick Cave is real, and plays in Paris. -
Travelling the world to meet 100+ artists and talk with them about their role in future society. Probably my tailor-made PhD. -
Niger. In the desert, among displaced communities, the river, giraffes and Tuareg blues, simple explanations rarely survive contact with reality. “Only rich countries have conflict.” The field has other ideas. -
“You know, Mial, all this time we spent on the road, something happened. Something I’ll have to think about for a long time.". I need to quit. I will travel for one year and... -
… nevermind. Thank you, COVID. Stuck on the island. Making up for 15 years of absence. -
Unexpected destinations. Met my wife. So much for the itinerary. -
Walking back on my footprints. Training students from my former schools on digital technologies and creativity. And sharing with them stories from the outside world. -
Wild Rosalia. An off-grid house by the lake. I start work on my first big independent project… -
Sierra Leone. Listening before acting is finally a discipline. I help make room for it. -
My second big indepedent project. Longer-term. -
From films to data, from policy to AI, everything finally makes sense together. I’m not a divergent. I’m contemporary.
(Or possibly both.) - Explore the portfolioRead the journal